 Secret streets, forgotten figures and hidden histories. Many tourists and Londoners are familiar with Buckingham Palace, the Tower of London and Harrods - the latter being London's 2nd most popular tourist destination. But why should they, and indeed you travel to West London to the quiet and green borough of Chelsea. For me, Chelsea captures the heart of British wealth and history; as well as it's tensions and contradictions: the home of enterprising migrants, Victorian artists, lovesick royals, gardens inhabited by medics and crime authors that supplied cotton seeds to the colonies, and punks who ushered in a new era.  An artichoke plant at the Chelsea Physic Gardens Chelsea is a village of Palaces, home of rock stars, artists, punks and Princesses. It's royal and bohemian energy may be partly due to it's distance and isolation from the City of London, which is in the East and the earliest place that the Roman's inhabited; and was a bustling town in the Medieval times when Chelsea was not developed and primarily used for agriculture. It wasn't until the Tudor times that it began to attract King Henry VIII's attention as his Privy Councillor Sir Thomas More developed a grand mansion Beaufort House in Chelsea in 1520. As Chelsea is by the river, it was a convenient place to live to be able to sail to the Palaces at Greenwich and Richmond. Here More courted philosophers and intellectuals from the Continent exchanging letters with Erasmus and other thinkers. Even today, Chelsea is extremely popular with Europeans and has many Italians living in the borough. One of it's state schools is named after Thomas More and it is a specialist Catholic language college. Henry VIII had a manor house in 1536 where Elizabeth I grew up and supposedly planted some mulberry trees.  The original Beaufort House Chelsea is distinct in it's relationship with the monarchy. It is one of the few royal borough's, and the spine of the borough - the Kings Road, was once a private road built for Charles II to get to and from his Palaces of Whitehall and Hampton Court. Or possibly to visit his lover Nell Gwyn, a former orange seller in Covent Garden and actress who lived in the area and has a building on Sloane Avenue named after her. Few people have noticed the fountain in Sloane Square is decorated with images of Charles II and Nell Gwyn rapturously in love and feeding each other grapes. Charles II had many lovers and sadly no legitimate children with his wife the Portuguese Princess Catherine of Braganza. In order to pass through the toll gates to Chelsea, you would have needed to be an associate or friend of the Royals, and to show a coin to pass through. Many aristocrats moved and lived in this area, particularly towards the late 19th century many developments with private garden squares to lure them in. These garden squares (accessible with a private key), hoped to prevent the ill health that plagued the poor in East London. There was no understanding of germ theory, instead people believed that bad smells caused illness (miasma). As a consequence, Chelsea is a very green borough with lots of garden squares in order for air to circulate.  An example of the coins used to grant access to the private King's Road Part II coming.
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The name Chanel instantly conjures images of unparalleled luxury, glamour, and impeccable taste. It's a brand synonymous with sophistication and minimalism, seamlessly blending classic beauty with modern ideas that have inspired generations across the globe. At its heart lies Gabrielle "Coco" Chanel, celebrated as a pioneer who revolutionised women's fashion and shaped modern style like no other. Yet, beneath the polished façade of effortless chic lies a far more intricate, and at times controversial, "untold story" that transcends the runway.  The stained glass window at the orphanage which may have influenced her iconic logo. Coco's journey began in profound poverty, born in Saumur, France, in 1883. Orphaned at twelve, she honed her sewing skills in a convent, where the nuns' plain, practical clothing inadvertently influenced her nascent design philosophy of simplicity and refinement. This rigid environment forged her tenacity and ignited an ambitious dream to rise above her humble beginnings. Before her meteoric rise, Gabrielle briefly sang in cabarets, earning the enduring nickname "Coco" from popular songs. Her pivotal entry into Parisian high society was facilitated by wealthy patrons and lovers, notably Arthur "Boy" Capel, who financed her first millinery shop, "Chanel Mode," in Paris in 1910.
Coco championed a radical new philosophy: fashion should be functional, comfortable, and liberating. She shattered the restrictive pre-Chanel landscape of corsets and voluminous skirts, introducing looser silhouettes and pioneering the popularisation of jersey fabric in women's fashion – a material previously reserved for men's underwear. Her designs actively encouraged women to embrace confidence and freedom. Her most enduring contributions include the iconic Little Black Dress, introduced in 1926, which transformed black from mourning attire into a symbol of ubiquitous style, and the Chanel Suit, a two-piece ensemble inspired by menswear, perfect for the burgeoning post-war working woman. The revolutionary 2.55 handbag, launched in 1955, was the first luxury bag for women to feature a shoulder strap, literally freeing women's hands. She even democratised adornment by popularising costume jewellery, boldly mixing imitation pearls with precious pieces.  Chanel (left) in her radically modern style: clean, simple lines with a touch of androgyny, blacks and whites  A woman wearing Chanel at the races. Classic early Chanel: simple yet clean details; notice the low placement of the skirt and belt at the hips, the pleats and the row of pearls and simple hat. Beyond her creative genius, Coco was a formidable businesswoman. By 1935, her diversified holdings included boutiques, a textile business, and successful brand extensions like Chanel No. 5, managing over 4,000 employees. By creating a perfume, this was a way to make her brand more accessible through it's affordability as well as creating a product that could be sold and transported easily. All women can wear a fragrance unlike an item of clothing. The legendary Chanel No. 5, launched in 1921, became one of the world's most famous perfumes, famously immortalised by Marilyn Monroe. However, the story of No. 5 is also intertwined with a contentious business dispute with the Wertheimer family, her Jewish partners. During World War II, Coco controversially attempted to use Nazi Aryanisation laws to seize full ownership of Parfums Chanel, a ruthless act that revealed a darker, opportunistic side to her ambition. Declassified documents have also revealed her direct collaboration with Nazi intelligence, operating as Abwehr Agent F-7124, though she was never formally charged, reportedly due to intervention from Winston Churchill. The Chanel exhibition at the V&A does suggest she also worked with the Allies but this evidence has been contested.  Chanel with Winston Churchill (r) and his son Randolph (l). She met them through her relationship with The Duke of Westminster who introduced her to shooting, fishing and the Scottish Highlands which influenced the development of her own tweed suits.  Marie-Hélène Arnaud in tweed suit from Chanel's Fall/Winter 1959 collection, wearing Chanel shoes and the 2.55 Chanel handbag. Chanel would pin the materials to the model rather than a mannequin to create more natural shapes which women could move in. She hated Dior's New Look for re-introducing corsets that restrict women. Chanel eventually sold her business to her the Wertheimer family and spent the last 20 years of her life living at The Ritz in Paris. Local folklore is that on her deathbed she was said to have exclaimed to a maid, 'this is how you die!'. Style and drama: classic Chanel!  A palette cleanser to the exhibition: a simplicity of black and white with fascinating details on the collar, wrists and the jacket cutting mid-thigh whilst the skirt just above the knee; incredibly flattering and feminine.  You probably have read Animal Farm or 1984 by the British writer George Orwell but did you know George Orwell was a fantastic father? George Orwell believed he was sterile and adopted a son with his wife Eileen O'Shaughnesy in 1944 calling him Richard Horatio Blair. Sadly Eileen died in 1945 and whilst George was always searching for a wife to help him look after little Richard, he was a surprisingly affectionate and hands-on father.  George was a dab hand at changing nappies and bathing Richard with a cigarette in his mouth. George bought a cottage in a remote island Jura, in Scotland to write and relax with his son. Richard said, ‘My father was completely devoted to me. When Eileen died, he really cared for me, which was very rare at that time. He fed me, changed my clothes and nappies, he gave me baths: most fathers at that time never did that sort of thing’. This was extremely unusual for the time but then Orwell, despite studying at institutions associated with the establishment such as Eton College, was incredibly non-conformist.  For those interested in discovering more about George Orwell, you can spot his home on 22 Portabello Road, Notting Hill where he lived in 1927. Apparently the room was so cold that George had to warm his hands over a candle-flame before he could start writing in the morning.  Orwell would then set off in old clothes to meet tramps and down-and-outs who slept along the Embankment in spikes (shelters of last resorts), or workhouses. Many of the workhouses have been repurposed today as schools or NHS hospitals. Whilst there are old clothes sold in Portabello Market, they are generally vintage, antique designer brands.  A wonderful walking route after you visit Portabello would be to walk through Kensington Gardens and St James's Park towards the Strand and finally ending up in the Embankment. Whilst you pass Kensington Palace, a monument to Peter Pan, a former leper colony (Green Park), the beautiful Palladian buildings on Pall Mall, you might also pass elements of inequality and inequity that inspired Orwell's novels.
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